Charles Whitman’s Wife–Her Untold Story

Charles Whitman’s Wife–Her Untold Story

On August 1, 1966, the world heard Charles Whitman‘s gunshots as he shot and killed people he didn’t know from the top of the tower at UT Austin. It was the first mass shooting captured on television in the heart of a college campus and in full view of the Texas state capitol dome.

But before his public rampage, Whitman killed two women–family members–in the privacy of their own homes: his mother, Margaret, and his wife, Kathleen (“Kathy”). Kathy was 23 years old, a recent graduate of UT Austin, and a science teacher who had just completed her first year at Sidney Lanier High School.

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New in Assay: A Journal of Nonfiction Studies

At the AWP Conference in Minneapolis last year, I had the honor of participating in a panel of writers addressing the subject, “Confronting Our Fears: Turning Adversity into Art.” The latest edition of Assay: A Journal of Nonfiction Studies offers a special conference issue, and it includes our panel discussion alongside three other panels: two from the 2015 Nonfiction Now Conference in Flagstaff, and one from the 2015 ASLE (Association for the Study of Literature and the Environment) Conference in Moscow, Idaho.

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Prayers of the Unfaithful

Prayers of the Unfaithful


This Sunday, like all Sundays, in another mass I will not be attending, there is a space of prayer between the creed and the offering of bread and wine. Catholics call this the Prayers of the Faithful. A man has had surgery. Someone’s baby died. A priest has gone away for a family visit in another country–Italy, Romania, Argentina. The war continues. There are homeless. Repairing a leak in the church will cost $700. Often there is a petition for “those who have lost their faith” to return. Lord hear our prayer. Lord have mercy.

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American Prison: Beyond the Binge-Watch

American Prison: Beyond the Binge-Watch

If the success of Orange Is the New Black offers any indication, it seems fair (and gross) to say that prison has become “pop”—for a Twitter moment, anyway. Even the cover of the Economist June 20-24 proclaims, “Jailhouse Nation: 2.3 million reasons to fix America’s prison problem.” Progressive-glam MSNBC has been boosting its ratings with weekends of Lockup since 2005.

Everybody (white? middle class?) seems suddenly if temporarily agreed upon the disgrace and “inefficiency” of prison conditions. We all exchange nods over restaurant pasta and craft beers about how we need to “change the system.”

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Love and Mercy, Not Blood and Bullets

Love and Mercy, Not Blood and Bullets

For almost four years now, as I’ve completed a second book, 1966 has weighed heavily on my mind. Maybe you were born that year, or one of your siblings was. Maybe you got married then, or your parents did. Perhaps you graduated, or got drafted. Maybe you lost someone—to distance, disease, or drinking; to random violence or Vietnam.

In May that year, The Beach Boys released Pet Sounds, an album that received some critical acclaim despite mostly popular failure. Love and Mercy, a stunning biopic about Brian Wilson released last weekend (starring John Cusack and Paul Dano), devotes an amazing amount of detail to the creation of songs for that album. It wasn’t an easy process.

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